Voces excipere, 12 voices - 2017
Fluxus, Dimensionless sound (B), flute and electronics - 2012-2017
A Omnisciência é um Colectivo Part IV, percussion and electronics- 2009/2016
Bartolomeu, o voador, piano and electronics - 2017 *didactic piece
Bartolomeu, o voador, children's choir, recitant and electronics - APEM/Gulbenkian (Cantar+) commission - 2016 *didactic piece
Fluxus, Drag, cello, double bass and electronics - Duo Contracello commission - 2015
Inverso Sangue: Granito (B), saxophone, violin, cello - 2017
Inverso Sangue: Granito, clarinet, violin, cello - 2017
Sangue Inverso: Magnetite, piano - Festival Primavera commission - 2016 *didactic piece
Sangue Inverso: Ametista, piano and flute - Festival Primavera commission - 2016
Sangue Inverso: Ametista (B), piano and recorder - 2015
Sangue Inverso: Obsidiana, piano, flute, clarinet - Festival Primavera commission - 2016
Sangue Inverso: Olho de Tigre, piano, violin, viola, cello - Grupo Síntese commission - 2015
Jeux de l'Espace, electronics (8 channels on regular loudspeakers and one PLA - aka: “parametric loudspeakers”, “parametric speakers “, “parametric acoustic array”, “parametric array”, “parametric audio system", “hypersonic sound”, “beam of sound”, “audible sound beams”, superdirectional sound beams”, “super directional loudspeaker”, “focused audio”, “audio spotlight”, “phased array sound system”, among others - check my article at ICMC 2016 for more information) - 2015
GS65, solo viola - 2014
Fluxus, Dimensionless sound, flute with glissando headjoint and electronics - Commissioned by Festival F.L.S.I. - Festival for the Liberation of Sound and Image - 2012/2014
Fluxus, Transitional Flow, viola and electronics - Commissioned by Festival Primavera - preview - 2013 *didactic piece
Fluxus, Lift, electronics - 2013
A Anamnese das Constantes Ocultas, ensemble and electronics (6 channels on regular loudspeakers, amplified percussion and one PLA - aka: “parametric loudspeakers”, “parametric speakers “, “parametric acoustic array”, “parametric array”, “parametric audio system", “hypersonic sound”, “beam of sound”, “audible sound beams”, superdirectional sound beams”, “super directional loudspeaker”, “focused audio”, “audio spotlight”, “phased array sound system”, among others - check my article at ICMC 2016 for more information) - Grupo de Música Contemporânea de Lisboa commission - 2010/2011
A Omnisciência é um Colectivo Part II, electronics and wind orchestra - video - Troviscal/INATEL commission - 2009/2011
Estudos de Densidades II, ensemble - 2008 *didactic piece
Sinais no Tempo, guitar and electronics - 2007
Densidades Emergentes, orchestra - 2006
Improvisação sobre três poemas de Al Berto, orchestra - 2004
(Sobre o processo de) Replicação, 2 flutes and 2 percussionists - 2004
Síntese, orchestra - 2003
Estátua de Pessanha, piano, bass flute and real-time video - 2001/2003
